Mark 10

This setting of the Appalachian song reflects the change in text that appeared in the 2000 movie "O Brother, Where Art Thou?," where this tune was used for the baptism scene. Fun to sing, with great

This arrangement of the American folk hymn is inspired by the shape note or Sacred Harp tradition, marked by the placing of the melody in the inner voice, the tendency toward open fifth sonorities, and an

The piece is a combination of two 19th-century spirituals, Sometimes I Feel Like a Motherless Child and I Don't Feel Like I'se Anyways Tired, sparked by listening to the John and Ruby

This lavishly expressive arrangement, full of rich harmonies and rubato phrasing, will be deeply satisfying for your advanced treble choirs. With soprano solo and a second alto part for an extended

The metaphor of darkness is immediately evocative and also indefinite; a listener could take it to depict a stepping into the unknown, fear, loss, death, or literal darkness. In this setting, the soloist

Extracted from A Little Book of Rounds, these two short rounds are connected by a single poet and philosophy. Not only can they work as bookends for your concert as an opener and closer, they also

A 19th-century spiritual re-consecrated by Pete Seeger and The Weavers as the best known anthem for the American Civil Rights movement of the 1960s. Arranged to be sung on the march, this version begins

This original round sends a joyful message to singers and listeners alike. Composed for flexible voicing, the round is successful in two or three parts giving beginning choirs a chance to stretch their